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Both the album and the song "The Chain" remain wildly popular. But until they blow that money on a 7-mile line of coke and start throwing bubbly at each other, they're no Fleetwood Mac.

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Namespaces Article Talk. Views Read Edit View history. Languages Italiano Nederlands Norsk nynorsk Edit links. In recent decades, records have sometimes been called vinyl records, or vinyl; the phonograph disc record was the primary medium used for music reproduction throughout the 20th century.

It had co-existed with the phonograph cylinder from the late s and had superseded it by around Records retained the largest market share when new formats such as the compact cassette were mass-marketed. By the s, digital media, in the form of the compact disc, had gained a larger market share, the vinyl record left the mainstream in Since the s, records continue to be manufactured and sold on a smaller scale, are used by disc jockeys and released by artists in dance music genres, listened to by a growing niche market of audiophiles ; the phonograph record has made a notable niche resurgence in the early 21st century — 9.

In the UK sales have increased five-fold from to ; as of , 48 record pressing facilities remain worldwide, 18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new and modern record-pressing machines. Phonograph records are described by their diameter in inches, the rotational speed in revolutions per minute at which they are played, their time capacity, determined by their diameter and speed.


Everywhere (Fleetwood Mac song) - WikiVisually

Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to high heat, carelessly handled or broken, a vinyl record has the potential to last for centuries; the large cover are valued by collectors and artists for the space given for visual expression when it comes to the long play vinyl LP. In the s, these tracings were first scanned by audio engineers and digitally converted into audible sound.

Phonautograms of singing and speech made by Scott in were played back as sound for the first time in Along with a tuning fork tone and unintelligible snippets recorded as early as , these are the earliest known recordings of sound. In , Thomas Edison invented the phonograph. Unlike the phonautograph, it could both record and reproduce sound. Despite the similarity of name, there is no documentary evidence that Edison's phonograph was based on Scott's phonautograph.

Edison first tried recording sound on a wax-impregnated paper tape, with the idea of creating a "telephone repeater" analogous to the telegraph repeater he had been working on. Although the visible results made him confident that sound could be physically recorded and reproduced, his notes do not indicate that he reproduced sound before his first experiment in which he used tinfoil as a recording medium several months later.

The tinfoil was wrapped around a grooved metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately; the Scientific American article that introduced the tinfoil phonograph to the public mentioned Marey and Barlow as well as Scott as creators of devices for recording but not reproducing sound.

Edison invented variations of the phonograph that used tape and disc formats.

Numerous applications for the phonograph were envisioned, but although it enjoyed a brief vogue as a startling novelty at public demonstrations, the tinfoil phonograph proved too crude to be put to any practical use. A decade Edison developed a improved phonograph that used a hollow wax cylinder instead of a foil sheet; this proved to be both a better-sounding and far more useful and durable device. The wax phonograph cylinder created the recorded sound market at the end of the s and dominated it through the early years of the 20th century. Lateral-cut disc records were developed in the United States by Emile Berliner , who named his system the "gramophone", distinguishing it from Edison's wax cylinder "phonograph" and American Graphophone's wax cylinder "graphophone".

Berliner's earliest discs, first marketed in , only in Europe , were Both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality. In the United States in , under the Berliner Gramophone trademark, Berliner started marketing records of 7 inches diameter with somewhat more substantial entertainment value, along with somewhat more substantial gramophones to play them.

Berliner's records had poor sound quality compared to wax cylinders, but his manufacturing associate Eldridge R. Johnson improved it. Abandoning Berliner's "Gramophone" tradem. It was released on 26 November and features the hit singles " Don't Stop Movin '", "You", "Have You Ever" and " Never Had a Dream Come True " - all bar "You" peaking at number one prior to the album's release; the album debuted at number three on the UK Albums Chart in December , selling more in its first week than any of their other albums. Sunshine was the last album that featured Paul Cattermole as he announced his departure from the group in March ; the album peaked at number thirteen in New Zealand.

Remixes for "Stronger" were sent to clubs and radio stations, indicating that it would be the follow up single to "You", but the release was cancelled due to Cattermole's departure from the band. The album contained what was to become one of S Club's most popular tracks, "Don't Stop Movin'"; the song was released in April , marked a high point for the group as the single went straight to number-one, went Platinum and became the seventh best selling single of McIntosh, who takes lead vocals with O'Meara in the track, said he was "nervous" about taking lead vocals and was worried how people would react.

However, after the song went in at number-one, he felt as though he was "supported by the fans" and his fears were alleviated.

Dissecting Tango in the Night: Fleetwood Mac's pop masterpiece

McIntosh remarked that the single had broken new ground for the group, Cattermole thought it to be their "best song by miles"; the group won the Record of the Year award for the song, in February , the single won the group their second BRIT Award for best British single. By spring , the group were "desperate" to start touring. After spending most of early rehearsing, the S Club Party tour began on 19 May Describing the tour, Stevens remarked that seeing a crowd of over 13, fans each night coming to see them was "such an unbelievable feeling", the other members of the group shared an " adrenaline rush" as well as a wave of emotion before going on stage.

Once the tour was over, the group had to fly back to the United States in order to film the third series of their television show, Hollywood 7; this third series, still set in Los Angeles , was the group's favourite to film because they had more acting experience and could "drop their shoulders" and start to enjoy themselves. The group, had to continuously cope with intense schedules and early starts whilst recording for the programme, something which, although the group felt "laid back" about it at the time, was to take its toll and lead to the demise of the band.

Hollywood 7 began airing in September and dealt with the issue of an on-screen kiss between Spearritt and Cattermole, who had begun dating in real life. Their relationship, kept secret for six months, was well received by the band who claimed it had made them all closer as friends. Hollywood 7 aired alongside a new CBBC reality show, S Club Search , which invited children to extend the S Club brand and audition to form a younger version of the band; the new group were to be chosen to sing with S Club 7 on Children in Need and go on tour with them on their future S Club 7 Carnival tour.

As a result, S Club 7 were invited back and asked to record a second consecutive Children in Need single, in November After the success of the previous year's single, the performance on the night featured many primary school children who had pre-recorded their own versions of the chorus, including S Club Juniors who made their first television appearance; the band felt "overjoyed" that they could, once again, contribute to the Children in Need campaign, feeling that it meant a lot to them to be involved and feeling privileged to be able to help.

The single was another success for the group and became their fourth number-one, as well as the 21st biggest selling single of In January , S Club 7 embarked upon their second arena tour, S Club 7 Carnival , which aimed to please fans by stylising their songs to fit with a carnival-like theme with music styles from different countries of the world.

Speaking about the tour, McIntosh described it as "older show", a change from S Club Party , "more like bubblegum ", with Paul Cattermole comparing 's "theatrical" tour with the Carnival tour as a more "glitzy, concert stage". The tour was well received by the children's media, describing the show as "diverse" and "dazzling". Dashut was born in West Hollywood and started his career sweeping floors in a recording studio where he met Buckingham and Stevie Nicks. Keith Olsen hired Dashut as a maintenance worker at Sound City and employed him as second engineer on a few albums including Buckingham Nicks , which in turn led to Dashut's work with Fleetwood Mac.

Record producer A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer may also: Select session musicians to play rhythm section accompaniment parts or solos Co-write Propose changes to the song arrangements Coach the singers and musicians in the studioThe producer supervises the entire process from preproduction, through to the sound recording and mixing stages, and, in some cases, all the way to the audio mastering stage; the producer may perform these roles themselves, or help select the engineer, provide suggestions to the engineer.

The producer may pay session musicians and engineers and ensure that the entire project is completed within the record label's budget. A record producer or music producer has a broad role in overseeing and managing the recording and production of a band or performer's music. A producer has many roles that may include, but are not limited to, gathering ideas for the project, composing the music for the project, selecting songs or session musicians, proposing changes to the song arrangements, coaching the artist and musicians in the studio, controlling the recording sessions, supervising the entire process through audio mixing and, in some cases, to the audio mastering stage.

Producers often take on a wider entrepreneurial role, with responsibility for the budget, schedules and negotiations. Writer Chris Deville explains it, "Sometimes a producer functions like a creative consultant — someone who helps a band achieve a certain aesthetic, or who comes up with the perfect violin part to complement the vocal melody, or who insists that a chorus should be a bridge.

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While both contribute creatively, the official credit of "record producer" may depend on the record contract. Christina Aguilera , for example, did not receive record producer credits until many albums into her career.

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  7. In the s, the producer role is sometimes divided among up to three different individuals: executive producer, vocal producer and music producer. An executive producer oversees project finances, a vocal producers oversees the vocal production, a music producer oversees the creative process of recording and mixings; the music producer is often a competent arranger , musician or songwriter who can bring fresh ideas to a project.

    The producer oversees the recording engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as "the person who creatively guides or directs the process of making a record", like a director would a movie. Indeed, in Bollywood music, the designation is music director; the music producer's job is to create and mold a piece of music. The scope of responsibility may be one or two songs or an artist's entire album — in which case the producer will develop an overall vision for the album and how the various songs may interrelate.

    At the beginning of record industry, the producer role was technically limited to record, in one shot, artists performing live; the immediate predecessors to record producers were the artists and repertoire executives of the late s and s who oversaw the "pop" product and led session orchestras. The role of producers changed progressively over the s due to technology; the development of multitrack recording caused a major change in the recording process.

    Before multitracking , all the elements of a song had to be performed simultaneously. All of these singers and musicians had to be assembled in a large studio where the performance was recorded. With multitrack recording, the "bed tracks" rhythm section accompaniment parts such as the bassline and rhythm guitar could be recorded first, the vocals and solos could be added using as many "takes" as necessary, it was no longer necessary to get all the players in the studio at the same time.

    A pop band could record their backing tracks one week, a horn section could be brought in a week to add horn shots and punches, a string section could be brought in a week after that. From Wikipedia, the free encyclopedia. Soft rock dream pop pop rock. Lindsey Buckingham Richard Dashut. Top Adult Contemporary: Record Research. Retrieved 21 April Hung Medien in Dutch. Retrieved 5 May Library and Archives Canada. Retrieved 26 July Irish Singles Chart. Dutch Top 40 Retrieved 26 July Single Top Retrieved 16 November Top 40 Singles. Official Charts Company.